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Atchafalaya Swamp
Showing posts with label Friends and Lovers. Show all posts
Showing posts with label Friends and Lovers. Show all posts

Monday, July 19, 2010

Smiling For Dalilah (Scenes from Kg. Labuhan Dagang)

I DON'T HAVE much to say here 'cept good-bye, Dalilah...

For a kick-off, d
on't you think it's a strange coincidence that my last posting was EXACTLY a year ago? July 19, 2009? Yes, that's when we lost Bang Captain...

A-ny-ways...

Hey, my missus was a bit upset when you became the second woman (besides her that is) to sit in my low-slung, mid-life-crisis coupe... heh heh. No other woman (yet) besides you and her has had that honor, che-wah...

Anyway, she was cool bout it later. Really. Hey, it's THE Raden Galoh after all!

Today, she saw you an hour after you drew your last breath this morning, dear, And when the nurses and the ladies went out of that curtained partition around your bed, I too went in and drew the curtains around so we could have our privacy and say my piece to you.

You look so lovely with your full head of hair, D. So serene. No, I did not shed a tear for you D because I was actually happy for you. It's time you were released, dear...

Me? No regrets for you
laa, D. You've led a heck of a life, didn't you?

You will be sorely missed by all whose lives were once touched by you. That's a given, D.

You've gone and left us bereft, and in mourning.

Gone, yes gone. But I do not doubt that you will ever be forgotten, my dear Dalilah.

Love and Peace.

-Mat Salo

Bereaved father (right)

Bereaved mother

Sunday, July 19, 2009

Good Bye, 'Bang Captain


Mat Salo said...

Bang Cap... Salam Takziah.. Alfatehah..

Your beloved mum passed on at the same age as my nenek last year.

Salam.





Bang Captain, a main who does not mince his words nor suffer fools gladly enables "comment moderation" on his blog. This was to deter anonymous hacks and fools.

His beloved mother passed on barely four days ago and I posted my condolences about three days later - or more precisely, only three days ago.

Two days later (the 17th - or maybe even as late as yesterday, the 18th?) he had approved our comments to appear in the cybersphere. My only solace, therefore, was he had read my very last comment to him, along with Pak Zawi's and others.

Who's to know The Maker was to take him away too? Barely five days after his beloved mother who had brought him into this world?

Many may not know this but it was I who "introduced" him to the blogging fraternity. He had approached me first, not because I was a blogger of any repute, but because I was "family". Furthermore, we also shared the same alma mater.

In the 50s he lived right behind my late grandmothers house in Seremban, which meant that my uncles were his playmates. My mum, the eldest, was a good ten years older so he called her Kak Zah. I had just broken the news to my mum, long distance from a rig in the mangrove swamps of Samarinda, Indonesia, where she will convey the sad news to his childhood playmates - my two surviving uncles.

These photos were taken sometime in early 2007 when I brought Bang Captain to meet the heavyweights for the first time . He has since become great friends with these bloggers,and a regular fixture at their gatherings, where I, unfortunately continue to languish in crocodile-infested river estuaries.

I have no doubt he will be sorely missed by these bloggers, as will his family and friends.

And so will I.



Many thanks to Elviza, Pak Zawi and others who had alerted me of Arwah's passing. Al-Fatehah.







N.B.

I am rehashing one of my earlier posts because of the comment he posted. Skip the story if you like and head directly to his comment. My grandmother too had passed on about a year ago
.



The Matriarch, The Nude and The Chicken Coop

The year was ‘69 and I was in my first year of school.

With the day drawing to a close, Nenek’s high-pitched shrieks can be heard permeating the soggy evening air - summoning me for my evening bath at the well. In the days before
electricity found its way into our kampong, the path to the well could very well be perilous you can imagine. It got dark very quickly too, because the sun seemed to set a lot earlier in the kampong. But a likelier explanation would be the abundance of tall trees quickly blocking the sun’s rays, and thus with an irrational jealous pang I wondered (no, I'm sure) whether kids in the city would still be out playing.

I sat on the stoop of out in front, defiant and ignoring Nenek's calls, the cement feeling like a block of ice under my buttocks; the stone made cold from sun's fading warmth.

In that melancholic evening, I believed I felt the first stirrings of emotions that I can ever remember. It was feelings of hate and of rejection all rolled into one – the exaggerated version for seven year olds.

The reason for my slow-burning resentment was my being exiled from my parents. Father worked in an estate faraway where the only primary schooling available was for the children of estate laborers (read: Tamil). In the highly gentrified environment of post-colonial plantations, no conductor or mandor worth his salt would be caught dead having their children in a vernacular school, especially a Tamil one. But given a choice, I wouldn’t have minded being in an impoverished Tamil school. At least I would be in the bosom of my beloved parents.

My grandparents were the kindest of people, just like most grandparents the world over. Their efforts to cheer me by spoiling me didn’t often lift the veil of sadness that hung over like a monsoon cloud. And spoiled me they did, because Atuk catered to (almost) every whim of their first grandchild. He even got me a dog once, but that story will have to wait. Strangely I hear they weren’t always kind to their own offspring – I remember Mother telling me a story once when uncle broke his arm after falling from a rambutan tree—an additional beating was in store for him when Atuk came home from work. To drive the lesson home, I suppose.


That very same uncle, who was an overdue bachelor at the time of my incarceration was entrusted to keep me in line, and he took on the sacred covenant from my parents with utmost religious zeal. And trust me, he had quite a few sticks rather than carrots in his bag of tricks to enable him to carry the job. Sorta like George (Bush).


For failing to memorize to multiplication tables, an apt punishment for one was where I would have to spend moments of sheer terror in the chicken coop. The sheer terror factor was ratcheted manifold if the sentencing was conducted after sunset. Not one to go down without a fight, I was often dragged kicking and screaming into the hen house. And only to be released when either Atuk or Nenek happened to chance upon the scene. Uncle’s intentions were good no doubt, but what if there was a thirty-foot long python lying there in wait?

The chicken coop had its place in history somewhere further down the line and became (to me at least), one of the most celebrated but unknown chicken coops in existence. How so? Let me explain. Late into adulthood I discovered that my grandparents at various times before I came into being had hosted ‘foster’ children in their government quarters in Seremban. Atuk’s job as a chief clerk in the old colonial administration allowed them a modest wooden house across the famed King George the Fifth School, popularly known by its acronym KGV.


These weren’t real foster children you see, but kids of distant relatives and acquaintances from remote villages who were sent (boys usually) to my grandparents house because of its proximity to the premier British institution. One of the ‘foster’ children – this shocked me really – went on to become one the most celebrated and highest paid painters in Bolehsia. In ’98 one of his Pago Pago Series oils went under the hammer for a record 40,250 Singapore dollars at a Christie’s Singapore auction.
Ohmigosh!

Just before leaving for Europe in the 60’s to live the bohemian life as an artist, Latif Mohideen gave three of his paintings to Atuk and Nenek as a token of gratitude. One was an 'impressionist', the one I recalled hanging high above the grandfather clock and was the first thing you see upon entering the threshold of our kampong house. Alas it graced our living room but for the briefest of time. Later, Nenek came to realize that it was a rather convoluted surrealist version of a nude
with a huge single breast and an outsized areola. Latif must've painted this during the phase when and Picasso and Dali were considered de rigueur.

Of course, this didn’t fit well with nenek’s image as an Ustaza who taught the Koran at the village Madrasah, so one fine afternoon she got Atuk to take it down. And there it stayed in the shed at the back of the house, forever to remain anonymous to people with fat wallets who attend Christie’s and Sotheby’s auctions, and also to scholars in fine arts departments at universities the world over.



The Matriach, 2003. © matsalo

Years passed and with Atuk’s demise in the very early 90s, nenek had no choice but to shuttle between my one surviving uncle and a Chinese daughter-in-law (Yes, that uncle has since passed on - Al Fatihah) in Seremban. On occasions she would stay with Mother too. With no one to care for the creaking boards and peeling paint, the house became more and more decrepit, as unloved homes are wont to do.

It was only a decade or so ago that I decided to enquire about the painting. You don’t how much I’ve regretted my tardiness since. Nenek is still alive but is somewhat senile, and once, in between bouts of lucidity, she let it slip to her favorite grandson (that’s me) - that Atuk had used the painting (yes, "breast/areola") to patch the roof of the chicken coop.

I don't blame Atuk at all for his lack of aesthetic acumen - because who was to know what the future holds? Atuk had also once also traded his Rolex (it had cost him seven-hundred in 60s Bolehsian ringgits) for a dinghy digital watch to a backpacker who passed through the village. Please remember that this happened in the 70s and digital watches with blinking LEDs with faux gold bracelets were a novelty, if not expensive. That's the sort of person Atuk was - bless his soul - always ready to oblige.

I’m still in the hunt for the other two paintings though, one of which was a typical scene of village women toiling in paddy fields at harvest time. For the life of me, I can’t quite remember what the other one was.

Further inquiries revealed that none of my uncles knew where the paintings went. Nor Mother. Nor anybody else. Even Latif Mohideen has fled the scene. Hmmm . . . I shall need to pay a visit to the village house soon - but the dilapidated doors and windows have remained shuttered since - what ? - two, three years ago?


Somehow I have this burning need to fulfill my quest, just to give it some closure, if nothing else. Maybe I should give it a rest. But maybe I should start looking at the cow shed, because the chicken coop has long been gone and the chickens have since been converted to human protein or quite possibly devoured by that thirty-foot python or its progeny.


Years ago I paid the village idiot some money to dismantle the chicken coop and burn that sorry piece of eyesore (and of bad memories) to make the grounds presentable for a Hari Raya Eid celebration - the photos you see in the story. Deep, deep down, my brain strongly rejects any possibility that the Nude could have already turned to carbon. I'm sure some good sense must have prevailed, but we're talking about the village idiot here, who is known only by his nickname Berok (Malay for Monkey) for his climbing prowess and proclivity in collecting coconuts from trees. Perhaps, and most very likely, that the idiot here is me.

Whoa - there could be a gross total of somewhere between 100 and 200 thousand Bolehsia dollars out there sitting among the rafters and junk of my childhood home.


But who am I kidding?


Note comments by Arwah and the first of Kickdefella's comments.


=======================================================================

Comments:

The Ancient Mariner said...

I remember Latif Mohideen. As a schoolboy he had painted the murals in the KGV school hall. I wonder if it is still there, could be worth a lot of money now.

I also remember your grandparents and they were very kind to me when I was the neighborhood kid a couple of doors away.

Sheih said...

I love reading this. I know this is my first comment here, but when I read about your missed rendezvous with you Pa, I felt really sad.

This piece which I read today remind me to a lot of think. Perhaps its time for me to leave KL.

Thursday, May 28, 2009

Lives In The Balance: Good Works Vs Bad


I have always held firm to the belief that we must have some balance in our lives; some sort of yin and yang in equal measure. To do some bad and to do some good, because to see the worst in human nature will make us appreciate the nicer parts of humanity. And I don't mean women's bodies...

I'm sure many of you will disagree but that's just me; seeing bad in good and good in bad. And I'm always grateful to be able to tell one from the other.

Because... how else would I find myself in what once was the largest prostitution area in the whole of South East Asia last Sunday afternoon?

I said,
was. Remember the tense, please, was.

It's in north Jakarta, past Tanjung Priok, at a place called Kramat Tunggak.

What once housed close to 4000 rooms in 277 buildings employing hundreds of
germos (pimps) is now the Jakarta Islamic Center. I dare not even speculate how many PSK's (Pekerja Seks Komersial) this bustling area once had. Ten, twenty thousand? More?

Anyway, all that was demolished in 1999 and early in the millennium the Jakarta Islamic Center had replaced all that had once brought misery and ecstasy in equal doses.

But don't take my word for it. Go here to Mualaf Center Online for a background on Kramat Tunggak.

So you ask, what the hell was I doing there?

I went there on a self-induced mission to visit a friend who once worked as a radio operator on my rig in Kalimantan.

Pak Aa Gym, fiftyish and obese, suffered a stroke about a year ago in his
kost (rented room) in Balikpapan. Workers like Pak Aa Gym don't get to go home during time off like I do because their point-of-hire is in Balikpapan. They see their families perhaps once or twice a year, usually over Lebaran Idul Fitri, and of course, paying out of their own kantong celana. They just don't make enough. Their schedules are usually "two-one" - two weeks on and one off, and it was on one of those "offs" that his neighbor noticed that he had not emerged from his kost for two days running.


So he had suffered a stroke, alone in his
kost, with no one giving a damn.

He was hospitalized for a while and when he was able to walk, his kin came to take him home to Jakarta. He had, by then, lost his faculties to speak.

So I promised myself that if I ever spend a day or two in Jakarta, I would hunt him down and pay my dues to a fellow comrade.

But finding him was no easy feat. I had to ask around until I found another offshore worker called Sugeng who could get me his address. So I kept that battered piece of paper with some crude references to
Bekas Tempat Prostituisi Terbesar and finally, there I was.


I kept the meter running on the taxi (no need to expound on my getting lost in the maze of Tanjung Priok - the taxi driver had never been there either) which eventually made me poorer by almost RM 150.00 (yes, it's that far). After asking around I found the "Ibu RT" (some sort of neighborhood leader) who finally led me to Pak Aa Gym.

There was no one home except Pak Aa Gym, dressed in a white T-shirt and sarong with a metal cane by his side. He had lost perhaps fifty pounds. He registered surprised, and a pitying 'huummm, huummm' escaped his throat. He grabbed my waist and cried. And so did I.



And so I had come to fulfill my vow.

What struck me was what "Ibu RT" said to me as she left me outside his gate, "Pak, you're the only friend from his workplace that visited".

In reply, I said, "Alah...but my house is just on the way, Bu...", shrugging it off.

She had no idea that my house is in another country.

Thursday, December 6, 2007

Friends in High Places


INSTEAD OF FEELING the need for speed, like my hyper six-year-old often does (he has actually completed PS2's Need For Speed:Carbon, no kidding), I too feel the need . . . to trumpet a few things.

Mat Salo indeed has friends (not too many) and foes (plenty - just check out the politicians) in high places and this is a good time as any to give them their due. I'm not even going to bother checking with them if this is a good idea, because hey - that's what friends are for, right?

Today on perusing TheStar's Biz Section (Maybank Appoints New CFO) I was pleasantly surprised to read that a batchmate of mine, Beghat (nickname on account of his rather stupenduos male-centric accessory), was appointed the second-most powerful position in Maybank. No shit, Sherlock.

So I sent him an sms which goes like this: Hey Beghat.. Congrats & I hope I'm not the last to wish you. Woi! Now can u pls get your housing loan ppl to get off my back?
Comes in handy to have a buddy up there, I guess.
But the good Lato' Haji had the cheek to reply: thanks bro', but when you sold me those fotos back in kolek how come you never give me discount? And for the final nail in the coffin, signed off with a heh-heh.

An explanation is in order. I have been into photography ever since I was in Form One and it fell on me to catalog a piece of my batch's history and also to profit from it. So I'm the nerd with camera slung around the neck and was charging 20 sens (1975 dollars) for a 3R copy. And that was just for the black and white ones! I developed and printed them myself at the club's darkroom below the stairs near the science lab. The camera, all manual shit with no auto-anything was of course the club's property, along with the developer fluid, enlarger and photographic paper. For color prints I have it sent across to Yong's Photo down on Kuala Kangsar's main street where I would apply the appropriate mark-up to my fellow victims. At the end of the day, that was what the good Dato' remembered.

The bloody profiteering.

And the bloody profiteering is why The Bank has posted record profits --- and why its employees are now busily picketing with round badges over their breasts crying, "Thief!"

Anyway here's a photo of MBB's Number Two as a thirteen year-old preserved for posterity by yours truly.


©Mat Salo 1975


Payback time, eh Lato'? No man, am real proud of you, dude!

Actually I was into photography way longer than that (but why I'm still taking crap photos is anybody's guess). It all started in primary school when I was classmates with Mr. Heng FM whose dad owned the Film Star Photo Studios on Jalan Trus, Johor Bahru. As a ten-year old boy I was impressed that FM had a professional dad who photographed Ministers and Sultans.

Which brings me my next story, FM himself.

Couple of months back FM was also featured in The Star in his capacity as Managing Director of an SME IT company called Ceedtec in Penang, poised on the brink of greatness, MESDAQ and all that.

As per normal trumpet procedure, Mat Salo was the first to have caught this scintillitating item and had forwarded it to my primary school STAR2 JB e-groups where FM was forced to answer some uncomfortable questions.



For many years FM worked in the 'kilang sector' and while with HP had a big hand in putting cameras into phones. But it surprised me to know that FM, being unworthy of his dear father's profession? - shoots only with a compact camera? What-the-f%&*? An Olympus I think. Hard to believe he hasn't got an SLR when Heng Sr. was probably the most respected photographer back in the wild and swingin' JB Seventies.

At press time FM is actively enganging an "ODM Partner" (whatever that means) and having talks with "VC's" (Venture Capiltalists). Anyway, seriously, I do wish him luck. I hope to cash in if his tech company hits the jackpot. And do remember, you read it here first!

And my final story is about a guy, also from way back in JB who has now, some speculate, succumbed to the Dark Side*. Zikri is the guy in blue.


©US Department of Energy - Argonne National Labs

Zikri Yusof, PhD., is an "Accelerator Physicist" at US's prestigious Argonne National Labs near Chicago, Illinois. In our "JB" e-groups, Z, like his illustrious English College schoolmate FM before him, also had to answer lots of uncomfortable questions - namely from nincompoops like me. Z's breakthrough has directly impacted our lives by making more efficent x-ray machines using less energy.

Who knows, this Towering Malaysian might perhaps one day win a Nobel.

If that happens I can then smugly say, hey, I know that dude!

Please read Argonne's Press Release
here.

And if you're like me, who never paid much attention to secondary school physics, I asked some rather silly questions because the press release was sheer gobbledygook. So Z was forced to email us a detailed explanation which I shall reproduce below in its entirety.

Since several of you have expressed some curiosity regarding the nature of this work, I will spend a few minutes describing what it is, and how, in fact, the advancement here could actually have an impact on a lot of people, beyond just the immediate application to high energy physics.

The whole idea here is to make a better accelerating structure to accelerate charged particles, in this case, electrons. Our current technology uses copper cavities to do that. However, we can only put so much gradient inside this cavity before we destroy it (roughly 30-60 MV/m). So in order to accelerate particles to higher and higher energies (such as the one about to be turned on at CERN), the accelerator facility needs to be longer and longer so that we can stack more and more of these copper accelerating structures to get to the energy that we want. Unfortunately, this also means that such facility will be horrendously more expensive. The proposed International Linear Collider, which will be about 40 km long, is estimated to be about US$10-15 billion! At some point, we just can no longer build such monsters.

Thus, several groups around the world have been working on new acceleration schemes to make smaller structures able to produce higher accelerating gradients than the conventional ones. Our group, the Argonne Wakefield Accelerator, is one of them.

The physics here is actually quite simple [emphasis mine]. Imagine you have a boat moving on water. What you see behind the boat is a wake left behind that was generated by the boat. The larger and faster the boat, the larger is this water wake.

In our case, the boat is a bunch of electrons, and the "water", which is the medium that the wake is generated in, is a dielectric (insulating ceramic) hollow tube, and the wake field itself is the electric field. We can generate an accelerating mechanism in 2 ways:


1.We pass a large bunch of charge (we call this the drive beam) through our dielectric tube. It creates a large wake field. Then before that wake field decays away, if we pass a small bunch of charge at just the right moment, it will experience an acceleration through the tube. This second bunch is the bunch that you want to accelerate (we call this the witness bunch since it is "witnessing" the wake field). This is like a transformer ratio – large current, low voltage being equal to low current, high voltage, with the power being the same. In our case, it is large charge, low gradient going to low charge, high gradient. The drive bunch has a high charge, creating all the wake field, and this causes a witness beam of low charge to be accelerated by a large gradient.


2.But that’s not the only means of doing this. Since the wake generated is nothing more than a classical wave, we know that classical wave can add constructively. So, if we smart enough, we can make use of that. And we do! If, after the first drive bunch has passed though, if we can add a SECOND drive bunch just at the right time, the wake field generated by the second will ADD to the wake field generated by the first, thus creating an even larger wake! What if we have 4 drive beams, 8 drive beams, 16 drive beams, 32 drive beams… etc.? You can already see that if we can have a "bunch train" of drive beams spaced just right, we can create quite a large wake to accelerate the witness beam.


As you can imagine, the construction and the details in producing all this aren’t trivial. That’s why it took the group almost 20 years just to get to that 100 MV/m milestone. We’re hoping that since we now understand things more (and we also know what dielectric to use), the next series of progress won’t take as long.


Oh, how does this impact you? If everything works, it means that we can produce a cheap, compact accelerator. Accelerators are used in a lot of things, including to generate x-rays. There are medical accelerators to generate x-rays already in used in hospitals and doctors’ offices. In principle, this technique can create more compact, cheaper medical x-rays for not just diagnostics, but treatment as well.


Whoa! I’ve written way too much and have probably put all of you to sleep! Still, I’m sure you can understand by now the excitement surrounding this, and why I think this is quite fascinating.
Take care!

Z.
-----------------------------------

Damn, Z. Whatever. Now people... do you find this fascinating? Especially about the "physics is simple part"?

Anyway, heartiest congratulations to my friends Beghat, FM and Z.

And about the "embellishments" in this blog . . . all this is in jest, eh buddies?

===================

Uh-uh, got another one to make. An addendum. Because as soon as I posted this one up another interesting snippet came up in The Star today. This involves blood, my kah-zen, Man, the 'white sheep' of the family. No need to tell you who the 'baa baa blackie' is, eh?

This last-in-the-minute-past-deadline-post does the title justice - Friends in High Places - literally.

Anyway, Man, or referred to in The Star's story as Mejar Azman Jantan, is the first to fly the 'Ferrari of fighter jets' - the Sukhoi SU-30MKM - training with the famed Russian Knights since last July in Moscow. The reason he appeared in today's Star was because he did some aerobatic display at yesterday's LIMA in Langkawi. The paper quoted him as saying:

"...the Sukhoi could stall in midair while making swift turns, noting that it could also bank 90 degrees in the air and tail-slide down at ease.


“Apart from making flat spins like a falling leaf, the aircraft can also do a fantastic spin role on slow speed, dropping from 270 knots to 50 knots in less than five seconds,” he said.


Mejar Azman said the RMAF was looking for young and talented Malaysians to become pilots.


“Hopefully, by Lima 2009, we could have our own aerobatic team using all 18 Sukhoi aircraft,” he said.

Ea-sy kah-zen... gotta run that one by our current DPM first.

Anyway Man was already making news even from the late 80's when Mat Salo was busy scrubbing the deck of junk 25-year floating rust bucket. He did the family proud and even managed to further cement Mat Salo's reputation as the 'blackie'.

Man who had then just graduated from the Royal Military College (RMC) became the first ever Malaysian to be inducted into the famed Colorado Springs US Air Force Academy. The mother of all Top Gun schools which has produced 34 astronauts, famous Vietnam POW's and a host of US generals. There were Malaysians before him who went into West Point and the Naval Academy in Maryland but USAF? Not yet laar...

The USAF's is not only a military boot camp but a top-notch 4-year engineering undergraduate institution as well. Let's look at what it takes to get into one:

All qualified candidates may apply for nomination by either of their state’s two U.S. senators, their U.S. congressional representative, or the vice president of the United States. Children of armed forces personnel (on active duty or retired) may apply for nomination by the president of the United States. Nominations are also available to qualified enlisted members of the Air Force and Air Force Reserve. Qualified children of Medal of Honor winners . . . [as quoted in MSN's Encarta ]

Ok, Man, proud of you, 'cuz. I look at it this way, without white there can be no black. Without evil there can be no good. So it takes all kinds . . .