Monday, July 19, 2010

Smiling For Dalilah (Scenes from Kg. Labuhan Dagang)

I DON'T HAVE much to say here 'cept good-bye, Dalilah...

For a kick-off, d
on't you think it's a strange coincidence that my last posting was EXACTLY a year ago? July 19, 2009? Yes, that's when we lost Bang Captain...

A-ny-ways...

Hey, my missus was a bit upset when you became the second woman (besides her that is) to sit in my low-slung, mid-life-crisis coupe... heh heh. No other woman (yet) besides you and her has had that honor, che-wah...

Anyway, she was cool bout it later. Really. Hey, it's THE Raden Galoh after all!

Today, she saw you an hour after you drew your last breath this morning, dear, And when the nurses and the ladies went out of that curtained partition around your bed, I too went in and drew the curtains around so we could have our privacy and say my piece to you.

You look so lovely with your full head of hair, D. So serene. No, I did not shed a tear for you D because I was actually happy for you. It's time you were released, dear...

Me? No regrets for you
laa, D. You've led a heck of a life, didn't you?

You will be sorely missed by all whose lives were once touched by you. That's a given, D.

You've gone and left us bereft, and in mourning.

Gone, yes gone. But I do not doubt that you will ever be forgotten, my dear Dalilah.

Love and Peace.

-Mat Salo

Bereaved father (right)

Bereaved mother

Sunday, July 19, 2009

Good Bye, 'Bang Captain


Mat Salo said...

Bang Cap... Salam Takziah.. Alfatehah..

Your beloved mum passed on at the same age as my nenek last year.

Salam.





Bang Captain, a main who does not mince his words nor suffer fools gladly enables "comment moderation" on his blog. This was to deter anonymous hacks and fools.

His beloved mother passed on barely four days ago and I posted my condolences about three days later - or more precisely, only three days ago.

Two days later (the 17th - or maybe even as late as yesterday, the 18th?) he had approved our comments to appear in the cybersphere. My only solace, therefore, was he had read my very last comment to him, along with Pak Zawi's and others.

Who's to know The Maker was to take him away too? Barely five days after his beloved mother who had brought him into this world?

Many may not know this but it was I who "introduced" him to the blogging fraternity. He had approached me first, not because I was a blogger of any repute, but because I was "family". Furthermore, we also shared the same alma mater.

In the 50s he lived right behind my late grandmothers house in Seremban, which meant that my uncles were his playmates. My mum, the eldest, was a good ten years older so he called her Kak Zah. I had just broken the news to my mum, long distance from a rig in the mangrove swamps of Samarinda, Indonesia, where she will convey the sad news to his childhood playmates - my two surviving uncles.

These photos were taken sometime in early 2007 when I brought Bang Captain to meet the heavyweights for the first time . He has since become great friends with these bloggers,and a regular fixture at their gatherings, where I, unfortunately continue to languish in crocodile-infested river estuaries.

I have no doubt he will be sorely missed by these bloggers, as will his family and friends.

And so will I.



Many thanks to Elviza, Pak Zawi and others who had alerted me of Arwah's passing. Al-Fatehah.







N.B.

I am rehashing one of my earlier posts because of the comment he posted. Skip the story if you like and head directly to his comment. My grandmother too had passed on about a year ago
.



The Matriarch, The Nude and The Chicken Coop

The year was ‘69 and I was in my first year of school.

With the day drawing to a close, Nenek’s high-pitched shrieks can be heard permeating the soggy evening air - summoning me for my evening bath at the well. In the days before
electricity found its way into our kampong, the path to the well could very well be perilous you can imagine. It got dark very quickly too, because the sun seemed to set a lot earlier in the kampong. But a likelier explanation would be the abundance of tall trees quickly blocking the sun’s rays, and thus with an irrational jealous pang I wondered (no, I'm sure) whether kids in the city would still be out playing.

I sat on the stoop of out in front, defiant and ignoring Nenek's calls, the cement feeling like a block of ice under my buttocks; the stone made cold from sun's fading warmth.

In that melancholic evening, I believed I felt the first stirrings of emotions that I can ever remember. It was feelings of hate and of rejection all rolled into one – the exaggerated version for seven year olds.

The reason for my slow-burning resentment was my being exiled from my parents. Father worked in an estate faraway where the only primary schooling available was for the children of estate laborers (read: Tamil). In the highly gentrified environment of post-colonial plantations, no conductor or mandor worth his salt would be caught dead having their children in a vernacular school, especially a Tamil one. But given a choice, I wouldn’t have minded being in an impoverished Tamil school. At least I would be in the bosom of my beloved parents.

My grandparents were the kindest of people, just like most grandparents the world over. Their efforts to cheer me by spoiling me didn’t often lift the veil of sadness that hung over like a monsoon cloud. And spoiled me they did, because Atuk catered to (almost) every whim of their first grandchild. He even got me a dog once, but that story will have to wait. Strangely I hear they weren’t always kind to their own offspring – I remember Mother telling me a story once when uncle broke his arm after falling from a rambutan tree—an additional beating was in store for him when Atuk came home from work. To drive the lesson home, I suppose.


That very same uncle, who was an overdue bachelor at the time of my incarceration was entrusted to keep me in line, and he took on the sacred covenant from my parents with utmost religious zeal. And trust me, he had quite a few sticks rather than carrots in his bag of tricks to enable him to carry the job. Sorta like George (Bush).


For failing to memorize to multiplication tables, an apt punishment for one was where I would have to spend moments of sheer terror in the chicken coop. The sheer terror factor was ratcheted manifold if the sentencing was conducted after sunset. Not one to go down without a fight, I was often dragged kicking and screaming into the hen house. And only to be released when either Atuk or Nenek happened to chance upon the scene. Uncle’s intentions were good no doubt, but what if there was a thirty-foot long python lying there in wait?

The chicken coop had its place in history somewhere further down the line and became (to me at least), one of the most celebrated but unknown chicken coops in existence. How so? Let me explain. Late into adulthood I discovered that my grandparents at various times before I came into being had hosted ‘foster’ children in their government quarters in Seremban. Atuk’s job as a chief clerk in the old colonial administration allowed them a modest wooden house across the famed King George the Fifth School, popularly known by its acronym KGV.


These weren’t real foster children you see, but kids of distant relatives and acquaintances from remote villages who were sent (boys usually) to my grandparents house because of its proximity to the premier British institution. One of the ‘foster’ children – this shocked me really – went on to become one the most celebrated and highest paid painters in Bolehsia. In ’98 one of his Pago Pago Series oils went under the hammer for a record 40,250 Singapore dollars at a Christie’s Singapore auction.
Ohmigosh!

Just before leaving for Europe in the 60’s to live the bohemian life as an artist, Latif Mohideen gave three of his paintings to Atuk and Nenek as a token of gratitude. One was an 'impressionist', the one I recalled hanging high above the grandfather clock and was the first thing you see upon entering the threshold of our kampong house. Alas it graced our living room but for the briefest of time. Later, Nenek came to realize that it was a rather convoluted surrealist version of a nude
with a huge single breast and an outsized areola. Latif must've painted this during the phase when and Picasso and Dali were considered de rigueur.

Of course, this didn’t fit well with nenek’s image as an Ustaza who taught the Koran at the village Madrasah, so one fine afternoon she got Atuk to take it down. And there it stayed in the shed at the back of the house, forever to remain anonymous to people with fat wallets who attend Christie’s and Sotheby’s auctions, and also to scholars in fine arts departments at universities the world over.



The Matriach, 2003. © matsalo

Years passed and with Atuk’s demise in the very early 90s, nenek had no choice but to shuttle between my one surviving uncle and a Chinese daughter-in-law (Yes, that uncle has since passed on - Al Fatihah) in Seremban. On occasions she would stay with Mother too. With no one to care for the creaking boards and peeling paint, the house became more and more decrepit, as unloved homes are wont to do.

It was only a decade or so ago that I decided to enquire about the painting. You don’t how much I’ve regretted my tardiness since. Nenek is still alive but is somewhat senile, and once, in between bouts of lucidity, she let it slip to her favorite grandson (that’s me) - that Atuk had used the painting (yes, "breast/areola") to patch the roof of the chicken coop.

I don't blame Atuk at all for his lack of aesthetic acumen - because who was to know what the future holds? Atuk had also once also traded his Rolex (it had cost him seven-hundred in 60s Bolehsian ringgits) for a dinghy digital watch to a backpacker who passed through the village. Please remember that this happened in the 70s and digital watches with blinking LEDs with faux gold bracelets were a novelty, if not expensive. That's the sort of person Atuk was - bless his soul - always ready to oblige.

I’m still in the hunt for the other two paintings though, one of which was a typical scene of village women toiling in paddy fields at harvest time. For the life of me, I can’t quite remember what the other one was.

Further inquiries revealed that none of my uncles knew where the paintings went. Nor Mother. Nor anybody else. Even Latif Mohideen has fled the scene. Hmmm . . . I shall need to pay a visit to the village house soon - but the dilapidated doors and windows have remained shuttered since - what ? - two, three years ago?


Somehow I have this burning need to fulfill my quest, just to give it some closure, if nothing else. Maybe I should give it a rest. But maybe I should start looking at the cow shed, because the chicken coop has long been gone and the chickens have since been converted to human protein or quite possibly devoured by that thirty-foot python or its progeny.


Years ago I paid the village idiot some money to dismantle the chicken coop and burn that sorry piece of eyesore (and of bad memories) to make the grounds presentable for a Hari Raya Eid celebration - the photos you see in the story. Deep, deep down, my brain strongly rejects any possibility that the Nude could have already turned to carbon. I'm sure some good sense must have prevailed, but we're talking about the village idiot here, who is known only by his nickname Berok (Malay for Monkey) for his climbing prowess and proclivity in collecting coconuts from trees. Perhaps, and most very likely, that the idiot here is me.

Whoa - there could be a gross total of somewhere between 100 and 200 thousand Bolehsia dollars out there sitting among the rafters and junk of my childhood home.


But who am I kidding?


Note comments by Arwah and the first of Kickdefella's comments.


=======================================================================

Comments:

The Ancient Mariner said...

I remember Latif Mohideen. As a schoolboy he had painted the murals in the KGV school hall. I wonder if it is still there, could be worth a lot of money now.

I also remember your grandparents and they were very kind to me when I was the neighborhood kid a couple of doors away.

Sheih said...

I love reading this. I know this is my first comment here, but when I read about your missed rendezvous with you Pa, I felt really sad.

This piece which I read today remind me to a lot of think. Perhaps its time for me to leave KL.

Friday, July 10, 2009

London in June ... and a treat by AG

It turned out I wasn't the only one feted by Awang Goneng. Pak Zawi was already there days earlier terrorizing AG's wallet and relieving our confounded host of his Great British Pounds.

Yes, that AG, the famous anok Tengganung, master wordsmith of both English and Malay (albeit of the Tengganung Kite kind), an all around great guy and a thirty-five year veteran of living on English cod and salmon. Apa? Ikang tongkol tok cukup sedap ke?

Awang Goneng, for some reason or other, had decided that Mat Salo was worth his time. My own boss at work once said behind my back, 'That Mat Salo . . .he ain't worth killin'. For AG's selfless random act of kindness . . . I thank him from the bottom of my heart. Thank you, Sir!

Surreptitious e-mails were sent, (again, Pak Zawi had a hand in this), and a note by Kak Teh in this blog soon found me walking to Whiteleys in Queensway where AG would lie in wait at a bookstore (where else?) on the first floor.

Interestingly, according to AG, Whiteleys is one of the oldest department stores in London, which makes it one of the oldest department stores in the world in my book. As I trudged my tired limbs upstairs - I had been cycling for some days - I happened to pass Lillian Too's Feng Shui shop. It was shut and looked to be out of business. Now, don't you think the Queen of Feng Shui would have known better and sited her store at a more, shall we say, auspicious place? What hope then, for mere Feng Shui deficient mortals like us?















Anyway, the reason he asked to meet there was so we could have lunch at Malaysia Hall, which happened to be around the corner. Now that was a revelation
to me because the last time I looked Malaysia Hall was someplace else. But that was twenty years ago. I didn't know it had moved since.



I was a bachelor then, traveling from Malaysia to Aberdeen to attend a week long seminar. The circumstances surrounding my presence at the old Malaysia Hall two decades back was harrowing to say the least. I was there to meet an ex and her newfangled main squeeze, to get - what
today people would refer to - as "closure".

I'm not making this up. At the time I hadn't really planned to see her at all. Why should I? After all she had dumped me in a terrifying "Dear Mat" letter some time soon after hitting UK shores. And over a year had elapsed since her posting that "Dear Mat" letter and my sudden, unexpected visit . Anyway she was not in London but in some city up north, hundreds of miles away. But Brother Fate, and its sister Miss Coincidence are about to rear their ugly heads.

Clawing my way from the Banks of the Clyde to Malaysia I decided to stop in cold windy London for the night. Having nothing to do I decided to call a mutual friend, a girl who went to boarding school with the ex, she giggling excitedly over the phone, 'Eh Mat, know what? Your ex is in town with her boyfriend lah. She's on her way over, let's all go to Malaysia hall for dinner tonight - you know where, right? See you there!'

Hah. She's in town! How about that? In a fair, just and perfect world it would have been cause for celebration. But the world isn't round or fair or just. It's horribly flat, square, with sharp serrated edges. No. This can't be happening. But there you go. Brother Fate, Miss Coincidence . . . how do you do?

Now that friend probably doesn't understand the intricacies or nuances of messy break-ups, especially long-distance ones. Perhaps she hadn't experienced any. Or was privy to my fantasies involving throttling and wringing necks. Anyway, those thoughts had long passed and converted to . . . what, I don't know.

To say that the reunion was "awkward" was an understatement. A meeting of ex-es can never or will ever be described as "joyous". Reigning in flat out murderous impulses would be closer to the mark. As I stood there outside the former Malaysia Hall, one hand in my jacket to keep that London chill out, lighting cigarette after cigarette, passed an old VW Golf. Or was it the Rabbit? I wondered (belatedly) if I shouldn't just abandon this meet altogether, for it really served no purpose at all. Except perhaps, to tear old wounds.

In the rusting blue VW was our mutual friend driving, carrying inside what once held my dreams, hopes and object of er, lust. And not forgetting too beside her, hands on thigh probably, was The Guy who helped take those whimsical notions away.

It took a while for them to show up at the entrance, and it wasn't for lack of a parking space. Perhaps they needed to huddle down, figure things out at this rather unexpected entrance by Mat Salo, stage left, blindsiding them. To them perhaps, I was some kind of monster, a jilted raving maniac of some kind, bent on retribution. And they may be right. Anyway it was the girls who appeared first and true to Mat Salo's form, pretended like there was nothing ever between 'em, just a meeting of some old flames, er, friends. The Guy, they said, would join us "in a bit".

"In a bit", huh? Now how about that kiddo? Got cold feet?

Eventually Adonis, God's version of the perfect male form, came hurriedly in from the cold like a surreal scene from a Peter Lorre movie; scarf flailing, eyes shifting, looking nervous. Being the older and more mature guy, a cool and calculated Mat Salo turned up the charm (until the knob could go no further or else the potentiometer valves would blow) and set about putting The Guy at ease, joining him for cigarettes while the girls go inside to order food . . . and to gossip perhaps at the scene about to unravel outside?


'Fraid not, he's not the Adonis.

Sorry to disappoint but there was no scene "about to unravel" outside. We'll me and The Guy won't ever be buddies, that's for sure, but at least there was a semblance of civility. The art of conceding defeat, being a gentleman, that sort of thing, part of being a man in a woman's world.

For the life of me I don't remember his name or what happened to him eventually but I do know that the ex, after getting her Bar and a stint at LSE, went home, met a Mat Saleh bloke and eventually became an American. Perhaps it's fitting that I eventually met the woman of my (real, rational and practical) dreams, married her and became an Indonesian. That's a joke, by the way.

Bloody hell, and I thought we were supposed to be talking about AG here . . . and how did my post get mixed up with trips down memory lane?


AG and MSD's deputy director, on his left.



Some photos of me and my boy below, occasionally finding ourselves lost. Real men, they say, don't ever ask for directions. Not ever. They just blow 200 quid on some gadget called Garmin, and still can't find their bloody way home.

Seriously, part of the fun of travel is getting lost. But don't tell that to the spouse who pre-approved the Garmin purchase at John Bloody Lewis, eh?




Friday, May 29, 2009

Lives In The Balance: Party Time!

In my previous post, Pak Aa Gym's story took place the day after. This is about what transpired the night before. In my book it's called redemption, to find a balance between light and dark, the bad and the good.

Saturday night was spent at a very happening Jakarta nightspot called SHY Rooftop on Jl. Kemang Raya. Kemang is a bit like Bangsar at night; where the city's young and beautiful upper-class crowd get to look and be looked at.

Housed on the fifth floor of a very futuristic glass building, SHY has an open area balcony where one can gaze at Jakarta's sprawling skyline while nursing a none-shariah-compliant concoction.


I went there with a friend (whose sex I shall not divulge for fear of repercussions and incrimination) who insisted, "Bang, this is where the artistes bareng (hang out)". And I was not disappointed...

The ambiance was first class, the decor smart and cozy. In Malaysia it would be the size of an average pub housed in a shop lot. There were perhaps thirty to fifty patrons in all, coming and going.

The music? M
ostly acoustic guitars with only the bass being amplified, no drums, just bongos and tambourines to the accompaniment of vocals so sweet it will bring tears to your eyes.

SHY being a musician
's joint, the band played everything from Jason Mraz to Sting to Bob Marley. Aaah...

The crowd? If I told you I got to dance with Maia would you believe me? I'll let the pictures tell the story.

I even get to jam my Canon Ixus 850iS right in her face.


Ah, drool over, because everything is about balance, right?







Roy Marten's son, Gading, inadvertently shared a table with me. Apparently he's following in his Dad's footsteps, making a name as actor. I couldn't tell him from Adam until my friend whispered in my ear who that guy across the table was.

Maia Estianty? Everyone knows Maia,the hottest woman in showbiz. She's currently undergoing a very public divorce with mogul Ahmad Dhani, fighting a bitter battle over their three children Al, El and Dul. The kids are also musicians in a band called Lucky Laki, managed by the male parent, who at present has custody. Not a day goes by here in Indonesia where one isn't bombarded by news of Maia and Ahmad Dhani's woes spelt out in gritty detail... I really wanted to ask her how she handled the pressure of it all, but it wasn't a good time. I felt that she wanted to be left alone and I could respect that. Hey, being the subject of gossip and slander by tens of millions, day in day out, must be terrible. Ever since that Ahmad Dhani took up with Mulan, Maia's duet partner in Ratu...